Piece for 4 performers


Ali Moini

Creation 2018 / Belgian premiere

Concept et performance : Ali Moini
Distribution : Émi Sri Hartati Combet, Clément Courgeon, Miguel Garcia Llorens, Chandra Grangean, Ali Moini (en alternance)
Instruments / Programmation : Fred Rodrigues
Scénographie : Ali Moini
Regard extérieur : Myrto Katsikis
Design Sonore : Pouya Ehsaei
Costumes : Angèle Micaux
Lumière : Stéfane Perraud
Régie technique : Samson Milcent

Production : Selon l’Heure
Administration de production : Yann Gibert
Coproduction : Charleroi danse, La Passerelle – Scène nationale de Saint-Brieuc, EMPAC New York, La Place de la Dance – CDCN Toulouse/Occitanie, Le Manège – Scène nationale de Reims, Le Phare – CCN du Havre Normandie
Soutien : La Briqueterie – CDCN du Val-de-Marne, Institut français, tanzhaus nrw Dusseldorf, CN D – Centre national de la danse, Fondation d’Entreprise Hermès dans le cadre de son programme New Settings

Création le 2 octobre 2018 à La Passerelle Scène Nationale Saint Brieuc

Although based now in France following studies in research and choreographic creation at Forum Dança in Lisbon, Ali Moini has not cut his ties with Iran. This was where he first studied traditional Iranian singing, opera singing, music composition and drama before taking part in productions by Amir Reza Koohestani, including the legendary Dance on Glasses. And it was in his homeland of Iran that some of the first rehearsals for Gaugemancy, a piece for four performers, started. What can a body do? And how can it compose with chains around it? In his early pieces Ali Moini was keen on knives or cables. Today the notions of force and pressure are found at the heart of a choreography that explores a wide array of variations, from the practice of witches to that of the wrestler, of making pastry or felt etc. Material in transformation: “pressure”, Ali Moini points out, “brings about change“.

Thu. 15.11.2018
Brussels - Raffinerie
Fri. 16.11.2018
Brussels - Raffinerie